Welcome to the seventh edition. 9/16/2006
After gathering the information for the Resource Page for the Wenatchee,
WA camera club (Photography Association of Wenatchee - PAW) I've come to
the realization that the page is now too long and some entries don't go
into enough detail.
PAW Resource Page
I'll have a chance here to tell more about my personal involvement with
photography. If you haven't visited my web site "Eleanor's Travels",
here's the HOME PAGE.
More suggested articles: Dude,
Where's the Ansel Adams Button? He speaks of two waves in the
digital photographic are. The first is overwe are into the second.
Good'read'.
Paradigm Shift: The
Transition from Chemical to Digital Photography - an essay
by Alain Briot goes into much more detail . The introduction is quite
thorough but if you want the whole article you have to subscribe to
Briot's View. Other fine article in the series can be found here: Thoughts
and Photographs + Craft and Technique
What do fish need to live ... Why, water and oxygen, of course.
What do photographers need to take good sharp photos? Why, a good solid
tripod and a ball head. Earlier this year I finally added the Bogen/Manfrotto
804RC2..... a very nice, smooth 3-way Pan/Tilt head..... at a very
affordable price: $64.00
from B & H. Only 1.7lb. Includes a Quick Release Mounting Plate.
A sturdy tripod and good head are critical to taking more than one shot
when you know you will need to merge two different exposures. HDR
Merge by James Martin, on the Joe Van Os site explains it all (with
a rather silly example). I wrote this article: Blending
Photos with Paint Shop Pro. There's also Fred
Miranda's DRI Plug-in which makes an easy job of merging if you have
two good exposures to begin with. This is probably the least time consuming
methoed. See: "Why
I live in the Digital Darkroom" by Fred Miranda on
the Digital Outback Photo site. (What a beautiful photo of Thor's Hammer
at Bryce!)
And there's Blending
Photos using Masks by Spandex Rutabaga (not his real name).
It seems I keep taking you back to these three fine sites for a wealth
of great information.
Let's talk about the composition of this shot: 
I simply can't decide if it's too disjointed, forcing the eye to move
back and
forth to the top left or if it might be considered clever? Please
comment.
In Issue #8 I talk about another image and its cropping possibilities.

Finally, I'll close with a plug for a local photography couple from
Stehekin, WA where a wildfire is threating their valley. Mike's Black
and White work is superb! Water, Native American, Landscapes and Lifestyle.
Barnhart Photography
If you wish to contribute articles and/or links to materials for inclusion
please feel free to do so.
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